You may know Kōji Yakusho as the oyster-slurping mystery man from the noodle-Western extraordinaire Tampopo (1985). Perhaps you remember him as the depressed suburbanite who ballroom dances his blues away in the international feel-good hit Shall We Dance? (1996). He’s the reformed felon in the Cannes-winning character study The Eel …
Read More »'Nothing Like This Has Been Attempted Before': Behind the Buena Vista Social Club Musical
Cuba is roughly 1,300 miles away, but in a rehearsal space in downtown Manhattan, it doesn’t feel all that far. Cradling their percussion instruments, horns, and guitars, a ten-piece band of musicians, some from Latin America, preparing to play a sinuous piece of son Cubano, as a theater crew — …
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