Music News

D ’Angelo is a morning person, of sorts. When he’s working in the studio, as was often the case in the 14-year interregnum between 2000’s Voodoo and 2014’s Black Messiah, he quits his all-night recording sessions just in time to greet each day’s sunrise. “I’m definitely on the night shift,” …

D ear heavenly Father,” someone is saying to the silent room, “please give us the ability to touch this crowd.” All thirty-six members of D’Angelo‘s touring band and crew are stuffed into his dressing room, hands linked, heads bowed in a large prayer circle. “And when our ability fails, Lord. …